Throughout, the emphasis is on providing the teacher with progressive methods of instructing the student to acquire an integrated approach that combines art and science. The final section of each chapter gives relevant examples from works of art. The bulk of the book consists of six chapters devoted to regional anatomy, each integrating descriptions of the structural components in relation to the dynamics of function and to artistic expression. The nine editions of this book in German are a measure of its success and impact and this - the tenth and the first in English - is very welcome. The Complete Guide to Anatomy for Artists & Illustrators, initially published in 1964 as Die Gestalt des Menschen, is undoubtedly his masterpiece. * The Artist * March 2017 Gottfried Bammes (1920-2007), once Professor of Artistic Anatomy at the Dresden Academy of Fine Arts, was the prolific author of many successful books on life-drawing, some published in English. This is a thorough course and not really for the beginner, but niether do nyou need to be a specialist to appreciate it. The book is structured so that you're only aware of the section you're in, and never intimidated by the rest. Photographs, block diagrams and classical examples serve to enhance the experience. All the skeletal and muscle structure is there, but in artistic, rather than medical detail. Each drawing includes just enough information to illustrate the point in hand and no more. The secret I think is that by giving himself space Gottfried Bammes does have to cram everything in together. * Galleries magazine * July 2017 This is the most substantial volume on anatomy and figure drawing I've ever seen, and it might also be the most accessible. For practising artists this book allows contemplation before and after a study and more essentially the 'science' and 'art' of drawing meet in reference in a way which it is hard to see able to improve upon. Drawing from life is in revival today, popularly pursued as a fundamental discipline, and wealth of illustration here in every aspect of configuration of pose analysed graphically, photographically, by muscle, along with examples of master drawings and technique makes compulsive reading for anyone so occupied. Through his systematic and practical approach to teaching, the reader will acquire an in-depth knowledge of anatomy and the ways in which it can be used to express the human form in art.įirst published in German in 1964 at a time when contemporary art school theory in the UK did not see figure drawng as central to perceptual education, this book's 500 pages have endured a 10th edition, published now for the first time in English. Bammes goes on to explore in depth the human skeleton and musculature the proportions of the body the static and dynamic laws of posture and movement body language and the interrelationships of the various elements of the body. This comprehensive guide begins with the history of human anatomy for artists, and its influence on the development of the artistic visualisation of the body. Now, both new and experienced English-speaking artists and illustrators can benefit from the vast body of knowledge accumulated and lovingly presented by Professor Bammes in his acclaimed work. Based on the most recent German edition and faithful to the original, it contains over 1200 photographs, diagrams and drawings, including work by the author himself, and spans over 500 pages. Having undergone numerous editions since it was first published and still much in demand today, this, the first ever English translation of the complete work, has been long awaited. Originally published in German in 1964, Professor Gottfried Bammes' Die Gestalt des Menschen is still considered the definitive guide to drawing the human form.
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